Yes! – Tailor-made displays for ancient blades.

 

Over the last few months we’ve been working on an extremely large architectural project and fitting in small projects around it, such as this set of custom designed display stands. They were commissioned by a collector who wanted simple, low key stands to display his newly acquired ancient weapons (some of the blades still bear the auction lot number tags). There was no particular brief other than to keep it clean and simple. Our solution was to combine clear acrylic supports with a polished walnut wood base. We also laser-engraved the description of the items onto the acrylic base panels (you can see this if you click on the images to enlarge them). We think Macbeth would have approved – the client certainly did.

3 storey model helps artists plan their shows

 

 

 

 

 

 

 

 

An art gallery in London asked us to produce 10 sets of these floor plate models to help artists design upcoming shows. Each set consisted of 3 storeys and showed the circulation routes and available floor and wall space on each level so that the artist could plan the positions of paintings or other exhibits in their show. At 1:20 scale the floor plans are very large so we designed a flat-pack solution which allowed the artists to take the three floor layouts as portable kits that could be easily assembled at a later date. We created our own CAD files for all components and then laser cut the floors and walls out of 5mm acrylic. Stairwells, WCs and other facilities were indicated by laser-engraved lines on the floor plates.

 Repeat Orders mean a busy start to 2014

 

 

 

 

 

 

 

 

 

 

 

 

As well as working on a very big commission that’s going to take us several months we’ve also just completed these two projects which are actually repeat orders of models we made over a year ago. It’s quite common for clients to come back to us for a second version or even multiple versions of models we’ve previously made for them. Usually this is because the first model proves so useful it becomes well worth having additional units made – often this can be at a reduced cost. The yellow model is a lightweight, life-size display model of a Subsea Control Module, a piece of equipment for the off-shore oil industry (the real thing was extremely heavy and difficult to transport). The other model is a two part display comprising the internal components of toner cartridges and was designed to demonstrate the simplicity of the client’s product compared with a conventional cartridge.

Model of Butlins redevelopment plan at 1:200 scale

 

 

 

 

 

 

 

 

 

This 2.3 metre long model was commissioned to showcase the new development proposals at Butlins holiday resort at Minehead, Somerset. The model shows the first phase of the development, a new chalet area, in full colour and detail whilst the phase 2 proposals for a new hotel are shown at a simplified, monochromatic level (the building is just visible as a white massing block in the main photo). The phase 2 area will be updated to a fully detailed level at a later date. An important requirement for the model was that it should illustrate the attractive landscaped setting for the new chalets and the client was very pleased with the final result.

 Industrial model with cut-away internal view

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The client for this project was actually the supplier of the oil that goes inside the transformer who wanted to show a typical application of their product in use. That’s why the model shows a cut-away view with a representation of the transformer being full of oil inside. The contained oil is represented by 0.5mm clear acrylic with a pale, slightly rippled amber lacquered finish. It was important that the volume of oil was visible to the eye but clear enough to allow slightly distorted views of the transformer’s internal components. The model was supplied with a purpose-built, aluminium framed flight case because its first use was to be shipped overseas to a trade exhibition.

Our Latest Projects | Modelmakers | All posts by steve

Button controlled model for Northern PowerGrid

 

 

 

 

 

 

 

 

 

 

CLNR stands for Customer Led Network Revolution, a method of optimizing the power supply network based on immediate reaction to varying customer demands. The purpose of this model was to illustrate Northern Powergrid’s strategies for maximizing the efficiency of their supplies to both domestic and commercial users. The model looks deceptively simple but actually features some complex programming to demonstrate how the network adjusts to the demands of different users at different times of the day, including storing surplus power for later use. The button panel allows the user to set up varying power requirements which are indicated by lights on the model (turning red) and then press further buttons that illustrate how the demands are resolved (turning the lights green) with energy efficient systems and procedures.

 “Drivetrain” for wind turbine – Scale 1:20

 

 

 

 

 

 

 

 

 

 

A “Drivetrain”, in case you were wondering, is the component that harnesses the power from the revolving blades of a wind turbine – it’s the machinery the blades are connected to at the top of the tower, normally hidden under a cowling. This particular model was commissioned for use as an eye catching display at trade shows and exhibitions. It was designed to illustrate the flexible, modular nature of the client’s product which could be easily adapted for different types of wind turbine. Taking the real thing along wasn’t really an option due to its massive size and weight. If you click on the images to enlarge them, you’ll see the outline of a standing figure which gives a sense of the machine’s real life dimensions. At 1:20 scale we were able to show a plenty of realistic detail, including individual nuts and bolts and the huge single disc brake with four callipers on the back face of the model.

 Detailed Marketing model – Scale 1:150

 

 

 

 

 

 

 

When space in a sales office is limited, 1:150 is a useful scale option because it is small enough to keep the model compact but large enough to show plenty of detail, which helps bring the model to life. This model was only 450mm square but if you look closely at the enlarged images you’ll see we’ve actually been able to show the wooden handrails on the balcony balustrades. This type of detail invites the viewer to inspect the model up close and allows them to visualize themselves enjoying the sea view from what could be their apartment balcony. All of which builds confidence and can help secure early sales, even when the site outside is little more than a hole in the ground.

Five models reflecting Atkins involvement in the London Olympic Park

 

 

 

 

 

 

 

 

 

 

Designed and built for Atkins Engineers, this group of five interactive models was commissioned to reflect Atkins' huge involvement in the construction of the London Olympic Park. Each model highlights a particular aspect of the unglamorous but essential engineering work Atkins carried out at the site, from creating an artificial level surface for the equestrian event, to installing fundamental infrastructure such as bridges, water supplies and drainage. One of the models, which incorporates scrolling LED messages and allows the operator to lift a table tennis ball into the air by controlling a fan, conveys how Atkins designed complex climate control systems to "engineer" the air in many of the park's specialist sporting venues. The models were used initially at an exhibition event linked with the start of the Olympics but will subsequently be displayed in the reception areas of Atkins' main offices around the UK. There is also a plan to export one of the models to the Middle East. .

Contoured model with interactive back projection

 

 

 

 

 

 

 

 

 

 

We designed and built this topographical model for display at a Royal Academy of Engineering exhibition. The model had to incorporate an acrylic “sea level” panel suitable for back-projection of computer modelled animations showing currents, tidal flows, sediment deposits, etc. It was a technically demanding project because we had to make sure the back projected animation fitted perfectly within the outline of the coast. The vertical scale was exaggerated to accentuate the distinctive character of the South Wales Valleys.